Modern Nature share new track “Flourish” which subtly channels vintage Talk Talk circa Laughing Stock. That’s my initial impression and I’m usually spot on with identifying references or that’s me tooting my own horn. Geez, now I sound like I’m ninety years old. Regardless, “Flourish” was taken from the upcoming mini album Annual which will be released May 7th via Bella Union.
Their new mini-album Annual, recorded in December 2019 at Gizzard Studio in London, is another step towards something more liberated and a world away from the sound of Jack Cooper’s previous bands. Will Young sits this one out, concentrating on his work with Beak, but How To Live collaborator Jeff Tobias takes a more central role, alongside percussionist Jim Wallis.
Jack explains how Annual came about: “Towards the end of 2018, I began filling a new diary with words, observations from walks, descriptions of events, thoughts…free associative streams of just… stuff. Reading back, as the year progressed from winter to spring, the tone of the diary seemed to change as well… optimism crept in, brightness and then things began to dip as autumn approached… warmth, isolation again and into winter.”
“I split the diary into four seasons and used them as the template for the four main songs. The shorter instrumental songs on the record are meant to signify specific events and transitions from one season to the next. I figured it wouldn’t be a very long record, but to me it stands up next to ‘How To Live’ in every way.”Annual opens with “Dawn” which brings to mind the peace and space of Miles Davis’ “In A Silent Way”; it rises from nothing like shoots reaching for the light. “I wanted Dawn to feel like the moment you realise spring is coming, when you notice blossom on the trees or nights getting lighter.”
On lead track “Flourish”, it’s clear Modern Nature have moved on from the first album; as muted percussion and double-bass stirs behind Cooper’s Slint-like ambling guitar; the chorus soars into a collaged crescendo. “Flourish is like when my part of the world coming to life. I live on the edge of London between Leytonstone and Epping Forest, so the signs of spring are very apparent round here – flowers, light, people talking in their gardens.”
“Mayday started as an outro to Flourish or ‘Spring’ as it was titled originally. The idea was a segueway into the summer section to represent the sort of collective excitement a city gets once it realises summer is here.”
The summer of Jack’s diary inspired “Halo”. “Wanstead Flats where I live, change a lot in the summer; a haze descends on them instead of the spring mist and the city’s proximity is more apparent. Blue bags of empty cans and scorched grass from out of control barbeques.” Arnulf Lindner on double-bass recalls the playing of Danny Thompson with Jeff Tobias’ wonderfully lyrical saxophone referencing Pharoah Sanders.
On “Harvest” Jack takes a backseat with Kayla Cohen of Itasca singing. “All these songs are in the same key but the melody was above my range. I’d been playing the new Itasca record all the time and just reached out. The economy with which she sings is perfect.”“The intention with the record was for it to feel like a circle, so Wynter reflects the opening. I guess having to get up and flip the record destroys the illusion so it’s a rare occasion where listening with the ability to just loop the album into another year is closer to our intention.”Annual then acts both like a companion piece to the band’s How To Live debut but also a pointer to the paths ahead. Cooper has already started work on the next album, his speed of output an indication of the excitement and creativity that surrounds the project. Who will be involved and what the touchstones might be are yet to be firmly established but then who would have it any other way with this most fascinatingly free-flowing and mutable of groups?